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Miles Davis Black Beauty | Miles Davis At Fillmore West - High Definition Vinyl 180 Gram - Sealed US 2-LP vinyl set
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MILES DAVIS Black Beauty | Miles Davis At Fillmore West (Mobile Fidelity Sound Lab limited edition 4-track double album 2-LP mastered by Kreig Wunderlich on the Gain2 System, plated and pressed on 180-gram High Definition Vinyl at Fidelity Record Pressing. Recorded live in 1973 when Miles Davis opened for the Grateful Dead in San Francisco at Fillmore West: Black Beauty surges ahead into a future jazz world, featuring superb performances delivered in rich colours, this set plays with captivating energy, presence, and clarity. Gatefold picture sleeve individually gold-foil numbered and factory sealed. Recommended)
TRACKLISTING AND EXTRA INFORMATION
1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe
Dateline: April 10, 1970. Setting: The storied Fillmore West in San Francisco, CA. Context: Miles Davis, three days removed from his first session for Jack Johnson and, with newly recruited soprano saxophonist Steve Grossman in tow, opening shows for countercultural heroes the Grateful Dead on the latter’s home turf. Result: The initial rumblings of a thrilling era in which Davis and his cohorts would again upend jazz and popular conceptions of the genre with music steeped in groove, improvisation, and hang-on-for-your-life adventurousness. All captured on Black Beauty: Miles Davis at Fillmore West.
Mastered at MoFi’s California studio, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180g 33RPM 2LP set helps bring what went down that spring evening in Bill Graham’s venue to your listening room with exceptional clarity, balance, and presence. Originally only released in Japan in 1973 and unavailable in the United States until the late ‘90s on compact disc, this marks the first time Black Beauty has been issued on domestic vinyl. The wait is worth it.
Benefitting from quiet surfaces and excellent definition, these LPs present the band’s livewire energy and torrential storm of notes with captivating dynamics, pacing, and fullness. At its core, this audiophile reissue takes you into the walls of sound erected by a band learning on-the-fly the sheer power, will, and breadth of the electric jazz Davis was orchestrating and realizing, on the spot, would reach rock audiences that until that point had only a faint awareness of his mad-scientist experimentation. The sense of release and reach conveyed by these carefully restored records make it clear the veteran bandleader was in the process of a permanent shift that he’d chase for the next five years.
Given Davis was only a few months away from releasing the pioneering double album Bitches Brew, it shouldn’t come as a surprise that much of the fare here adheres to similar explorative approaches. Turbulent rhythms, provocative trumpet passages, and rich, saturated tonal colors that seemingly splash against a blank canvas take precedence over any traditional attempts at organization and melody. Davis and Co. intentionally play everything on a line with the bandleader signaling changes with his horn via coded phrases. The group speaks a common language — with each member having gone to achieve iconic status for their career contributions and technical prowess.
In the company of Grossman, Chick Corea (piano), Dave Holland (bass), Jack DeJohnette (drums), and Airto Moreira (percussion), Davis constructs themes around “Directions,” “Miles Runs the Voodoo Down,” “It’s About That Time,” the title track to Bitches Brew, and more from his then most-recent studio works and the in-progress Jack Johnson. His farewell to the popular standards that for nearly two decades remained a part of his repertoire arrive via a brief dalliance with “I Fall in Love Too Easily,” a shortened albeit aggressive “Masqualero,” and the “Theme” finale of “Spanish Key.” Initially, Black Beauty lacked specific track listings due to Davis’ increasing frustration with listeners over-analyzing his music.
In retrospect, it’s difficult to blame anyone for wanting to view what’s on display here with the aural equivalent of a magnifying glass. Leaning in rock directions, yet maintaining an ear for spaciousness and solos, Black Beauty survives as a snapshot of a thrilling moment amid a transitory period in which evolution came fast and furious. Just two months later, Davis would add another instrumentalist to the lineup in the form of organist Keith Jarrett, and the perpetually restless visionary would blast off to a more atmospheric and arguably more chaotic universe.
Consider, then, this live document a bridge to that galaxy and a breathtaking example of the possibilities of jazz itself.
Side A:
Black Beauty Part I
Side B:
Black Beauty Part II
Side C:
Black Beauty Part III
Side D:
Black Beauty Part IV
Artist - Miles Davis (click link for complete listing)
Title - Black Beauty | Miles Davis At Fillmore West (click link for more of the same title)
Year of Release - 2025
Format - 2-LP vinyl record set (Double LP Album)
Record Label - Mobile Fidelity Sound Lab
Catalogue No - MFSL2-568 (click link for more)
Country of Origin - United States (USA)
Language - Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description.
Audiophile – This is an Audiophile item. Click link for similar items
Additional info - Sealed, Picture Sleeve
Barcode - 198028170413
Condition - Factory sealed from new. This item is unplayed. Click here for more info.
RareVinyl.com Ref No - MDA2LBL862556
Related Artists - Al Foster, Dave Holland, George Coleman, Jimmy Cobb, Kenny Garrett, Mike Stern, Paul Chambers, Philly Joe Jones, Red Garland, Ron Carter, Sonny Fortune, Teo Macero, The Brass Ensemble.
GENRES
Jazz, Male Solo, Progressive.
ORDERING
Availability - In Stock - Buy Now for shipping today
Postage/Shipping Cost - Add item to your basket for a postage/shipping quote. For further delivery info click here
Email - sales@rarevinyl.com to contact our sales team.
To order by phone - Call (+44) 01474815010
RareVinyl.com Reference Number - MDA2LBL862556
SELL TO US
Got vinyl records, CDs or music memorabilia to sell? – Sell to us at our buying site https://vinyl-wanted.com
TRACKLISTING AND EXTRA INFORMATION
1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe
Dateline: April 10, 1970. Setting: The storied Fillmore West in San Francisco, CA. Context: Miles Davis, three days removed from his first session for Jack Johnson and, with newly recruited soprano saxophonist Steve Grossman in tow, opening shows for countercultural heroes the Grateful Dead on the latter’s home turf. Result: The initial rumblings of a thrilling era in which Davis and his cohorts would again upend jazz and popular conceptions of the genre with music steeped in groove, improvisation, and hang-on-for-your-life adventurousness. All captured on Black Beauty: Miles Davis at Fillmore West.
Mastered at MoFi’s California studio, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180g 33RPM 2LP set helps bring what went down that spring evening in Bill Graham’s venue to your listening room with exceptional clarity, balance, and presence. Originally only released in Japan in 1973 and unavailable in the United States until the late ‘90s on compact disc, this marks the first time Black Beauty has been issued on domestic vinyl. The wait is worth it.
Benefitting from quiet surfaces and excellent definition, these LPs present the band’s livewire energy and torrential storm of notes with captivating dynamics, pacing, and fullness. At its core, this audiophile reissue takes you into the walls of sound erected by a band learning on-the-fly the sheer power, will, and breadth of the electric jazz Davis was orchestrating and realizing, on the spot, would reach rock audiences that until that point had only a faint awareness of his mad-scientist experimentation. The sense of release and reach conveyed by these carefully restored records make it clear the veteran bandleader was in the process of a permanent shift that he’d chase for the next five years.
Given Davis was only a few months away from releasing the pioneering double album Bitches Brew, it shouldn’t come as a surprise that much of the fare here adheres to similar explorative approaches. Turbulent rhythms, provocative trumpet passages, and rich, saturated tonal colors that seemingly splash against a blank canvas take precedence over any traditional attempts at organization and melody. Davis and Co. intentionally play everything on a line with the bandleader signaling changes with his horn via coded phrases. The group speaks a common language — with each member having gone to achieve iconic status for their career contributions and technical prowess.
In the company of Grossman, Chick Corea (piano), Dave Holland (bass), Jack DeJohnette (drums), and Airto Moreira (percussion), Davis constructs themes around “Directions,” “Miles Runs the Voodoo Down,” “It’s About That Time,” the title track to Bitches Brew, and more from his then most-recent studio works and the in-progress Jack Johnson. His farewell to the popular standards that for nearly two decades remained a part of his repertoire arrive via a brief dalliance with “I Fall in Love Too Easily,” a shortened albeit aggressive “Masqualero,” and the “Theme” finale of “Spanish Key.” Initially, Black Beauty lacked specific track listings due to Davis’ increasing frustration with listeners over-analyzing his music.
In retrospect, it’s difficult to blame anyone for wanting to view what’s on display here with the aural equivalent of a magnifying glass. Leaning in rock directions, yet maintaining an ear for spaciousness and solos, Black Beauty survives as a snapshot of a thrilling moment amid a transitory period in which evolution came fast and furious. Just two months later, Davis would add another instrumentalist to the lineup in the form of organist Keith Jarrett, and the perpetually restless visionary would blast off to a more atmospheric and arguably more chaotic universe.
Consider, then, this live document a bridge to that galaxy and a breathtaking example of the possibilities of jazz itself.
Side A:
Black Beauty Part I
Side B:
Black Beauty Part II
Side C:
Black Beauty Part III
Side D:
Black Beauty Part IV
Artist - Miles Davis (click link for complete listing)
Title - Black Beauty | Miles Davis At Fillmore West (click link for more of the same title)
Year of Release - 2025
Format - 2-LP vinyl record set (Double LP Album)
Record Label - Mobile Fidelity Sound Lab
Catalogue No - MFSL2-568 (click link for more)
Country of Origin - United States (USA)
Language - Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description.
Audiophile – This is an Audiophile item. Click link for similar items
Additional info - Sealed, Picture Sleeve
Barcode - 198028170413
Condition - Factory sealed from new. This item is unplayed. Click here for more info.
RareVinyl.com Ref No - MDA2LBL862556
Related Artists - Al Foster, Dave Holland, George Coleman, Jimmy Cobb, Kenny Garrett, Mike Stern, Paul Chambers, Philly Joe Jones, Red Garland, Ron Carter, Sonny Fortune, Teo Macero, The Brass Ensemble.
GENRES
Jazz, Male Solo, Progressive.
ORDERING
Availability - In Stock - Buy Now for shipping today
Postage/Shipping Cost - Add item to your basket for a postage/shipping quote. For further delivery info click here
Email - sales@rarevinyl.com to contact our sales team.
To order by phone - Call (+44) 01474815010
RareVinyl.com Reference Number - MDA2LBL862556
SELL TO US
Got vinyl records, CDs or music memorabilia to sell? – Sell to us at our buying site https://vinyl-wanted.com